apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·St. John Taking Leave of his Parents
St. John Taking Leave of his Parents by Filippo Lippi

plate no. 9025

St. John Taking Leave of his Parents

Filippo Lippi, 1465

frescoEarly Renaissancereligious paintingfigureslandscapemountainsarchitecturereligious scenestone
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective to depict depth. It also provides practice in using a limited palette to achieve harmonious color relationships.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and placement of figures and landscape elements.

  2. step 02

    Block in the main shapes and values using a thin wash of diluted paint.

  3. step 03

    Begin refining the figures, paying attention to anatomical proportions and drapery folds.

  4. step 04

    Develop the landscape, focusing on creating depth through atmospheric perspective and varying the tones of the rocks and mountains.

  5. step 05

    Add details to the architecture and other elements, such as the steps and archway.

  6. step 06

    Refine the lighting and shadows to create a sense of volume and form.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Glaze with thin layers to unify the colors and create a subtle luminosity.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · yellow ochre · ivory black

Achieve the muted tones by mixing raw umber and white. Use burnt sienna for the warmer hues of the figures' robes. Add small amounts of yellow ochre or ivory black to adjust the color temperature.

techniques

  • ·underpainting
  • ·glazing
  • ·atmospheric perspective
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear sense of depth and perspective.
  • →Using colors that are too saturated or bright.
  • →Inaccurate figure proportions.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Raw umber oil paint
  • ·Burnt sienna oil paint
  • ·Titanium white oil paint
  • ·Yellow ochre oil paint
  • ·Ivory black oil paint
  • ·Linseed oil
  • ·Assorted brushes (round and flat)

optional

  • ·Palette knife
  • ·Retouch varnish
  • ·Medium gloss

Use high-quality oil paints for best results. Prepare the canvas with gesso before starting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Madonna Enthroned with Saints

Madonna Enthroned with Saints

Filippo Lippi

Christ the Judge (detali)

Christ the Judge (detali)

Fra Angelico

The Dead Christ Supported by an Angel

The Dead Christ Supported by an Angel

Antonello da Messina

St. Michael and St. John

St. Michael and St. John

Álvaro Pires de Évora

Penitent St. Jerome

Penitent St. Jerome

Fra Angelico

The Madonna and Child with the Infant Saint John the Baptist

The Madonna and Child with the Infant Saint John the Baptist

Sandro Botticelli

Coronation of the Virgin (detail)

Coronation of the Virgin (detail)

Filippo Lippi

Adoration of the Child

Adoration of the Child

Filippino Lippi