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home·artworks·St. Jerome in the desert
St. Jerome in the desert by Filippo Lippi

plate no. 2234

St. Jerome in the desert

Filippo Lippi, 1456

temperaEarly Renaissancereligious paintingfigureslandscaperockslionskullbuilding
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery, and rendering realistic rock textures. It also provides practice in creating a cohesive color scheme with limited hues.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch of the overall composition, paying attention to the placement of the figures, rocks, and other elements.

  2. step 02

    Block in the main shapes and values using a limited palette of earth tones and muted colors.

  3. step 03

    Begin to refine the figures, focusing on accurate proportions and anatomical details.

  4. step 04

    Develop the drapery, paying attention to the way the fabric folds and drapes over the figures.

  5. step 05

    Add details to the rocks, creating texture and depth with varying brushstrokes and values.

  6. step 06

    Paint the lion, focusing on its anatomy and fur texture.

  7. step 07

    Add the skull and other small details.

  8. step 08

    Glaze the painting with thin layers of color to create depth and luminosity.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · alizarin crimson · ultramarine blue

Mix burnt umber and raw sienna with white to create a range of earth tones. Use alizarin crimson to create the pink hues in the drapery and flesh tones. Mix ultramarine blue with white to create the sky.

techniques

  • ·figure drawing
  • ·drapery study
  • ·glazing
  • ·dry brushing
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Failing to create a sense of depth in the rocks.
  • →Overworking the painting and losing the freshness of the initial sketch.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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