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home·artworks·St. Jerome (detail from Virgin Enthroned with Saints)
St. Jerome (detail from Virgin Enthroned with Saints) by Luca Signorelli

plate no. 8737

St. Jerome (detail from Virgin Enthroned with Saints)

Luca Signorelli

oilEarly Renaissancereligious paintingfigurerobebookbeardreligioussaint
some experience helpful

Recreating this painting will help students develop skills in rendering drapery folds and creating realistic skin tones. It also provides practice in depicting a figure in a seated pose and capturing the texture of different materials.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on the figure's pose and proportions.

  2. step 02

    Block in the main shapes of the robe, book, and background elements.

  3. step 03

    Establish the light and shadow areas using a mid-tone color.

  4. step 04

    Gradually build up the color and detail in the robe, paying attention to the folds and highlights.

  5. step 05

    Work on the face and hands, focusing on accurate proportions and subtle value changes.

  6. step 06

    Add details to the book and background, including the inscription and architectural elements.

  7. step 07

    Refine the edges and details throughout the painting.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · red ochre · titanium white · raw umber

secondary · yellow ochre · ivory black

Mix red ochre with white for lighter shades of the robe. Use raw umber and black for shadows. Yellow ochre can be used to create highlights and subtle variations in the robe's color.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·drapery rendering
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the robe.
  • →Incorrectly rendering the folds of the drapery, making it appear flat.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Oil paints (red ochre, titanium white, raw umber, yellow ochre, ivory black)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium (e.g., Liquin)

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the value structure.

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oil painting for beginners →how to learn by studying the masters →
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