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home·artworks·St Genevieve
St Genevieve by Charles Sprague Pearce

plate no. 9358

St Genevieve

Charles Sprague Pearce, 1887

oilAcademicismreligious paintingfiguresheeplandscapebuildingsskygrass
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures in a landscape setting and understanding atmospheric perspective to create depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, sheep, and buildings.

  2. step 02

    Establish the background sky and distant landscape with thin washes of color.

  3. step 03

    Block in the main shapes of the buildings and sheep, paying attention to their relative sizes and positions.

  4. step 04

    Begin to develop the figure's form, starting with the overall shape and then adding details like the face and clothing.

  5. step 05

    Add details to the sheep, using short, broken brushstrokes to suggest their woolly texture.

  6. step 06

    Work on the foreground grass and plants, varying the colors and textures to create a sense of depth.

  7. step 07

    Refine the details of the figure, buildings, and sheep, paying attention to the light and shadow.

  8. step 08

    Add final touches and highlights to complete the painting.

color palette

primary · raw umber · titanium white · Prussian blue

secondary · yellow ochre · burnt sienna · cadmium yellow light

Mix muted greens by combining Prussian blue, yellow ochre, and a touch of raw umber. Achieve the skin tones by mixing titanium white, burnt sienna, and a small amount of cadmium yellow light.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·broken color

common pitfalls

  • →Overworking the details too early in the painting process.
  • →Failing to establish a clear sense of depth and perspective.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (raw umber, titanium white, Prussian blue, yellow ochre, burnt sienna, cadmium yellow light)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Painting medium

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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