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home·artworks·St Catherine of Alexandria
St Catherine of Alexandria by Ambrogio Bergognone

plate no. 0527

St Catherine of Alexandria

Ambrogio Bergognone, 1495

oilEarly Renaissancereligious paintingfiguredresshaloreligiousbackgroundsaint
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding how to depict drapery and form with limited value contrast. It also offers practice in capturing a sense of age and decay in a painting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic figure and background shapes, paying attention to proportions.

  2. step 02

    Establish the overall color scheme by applying a thin wash of burnt umber and yellow ochre.

  3. step 03

    Begin layering the dress with varying shades of yellow ochre, burnt sienna, and a touch of white.

  4. step 04

    Develop the background using a mix of blues, browns, and whites, creating a mottled texture.

  5. step 05

    Add details to the face, focusing on subtle shading and highlights.

  6. step 06

    Define the drapery folds and details with darker shades of brown and lighter highlights.

  7. step 07

    Create the halo using a light yellow or gold color, blending it softly into the background.

  8. step 08

    Add final details and texture to the dress and background to mimic the aged appearance.

color palette

primary · yellow ochre · burnt sienna · titanium white

secondary · ultramarine blue · raw umber

Achieve the aged look by mixing primary colors with raw umber to create muted tones. Use thin washes and glazes to build up color gradually.

techniques

  • ·layering
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too saturated, resulting in a modern look.
  • →Failing to capture the subtle value shifts in the drapery.
  • →Ignoring the aged texture of the original painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·yellow ochre
  • ·burnt sienna
  • ·titanium white
  • ·raw umber
  • ·ultramarine blue
  • ·round brushes (small and medium)

optional

  • ·palette knife
  • ·glazing medium
  • ·retarder

Using a textured canvas can help to replicate the aged appearance of the original painting.

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