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home·artworks·St. Anthony Visiting St. Paul the Hermit in the Desert (left wing of the Isenheim Altar)
St. Anthony Visiting St. Paul the Hermit in the Desert (left wing of the Isenheim Altar) by Matthias Grünewald

plate no. 1717

St. Anthony Visiting St. Paul the Hermit in the Desert (left wing of the Isenheim Altar)

Matthias Grünewald, 1516

oil, panelNorthern Renaissancereligious paintingfigurestreeslandscapedesertreligiousanimals
experienced study

Recreating this painting will help students develop skills in rendering complex textures like foliage and fabric, as well as understanding atmospheric perspective to create depth in a landscape. It will also help with figure drawing and portraiture.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and major landscape elements.

  2. step 02

    Establish the background with thin washes of color, paying attention to the atmospheric perspective.

  3. step 03

    Block in the main shapes of the figures, using a limited palette of earth tones.

  4. step 04

    Begin adding details to the figures, focusing on the faces and hands.

  5. step 05

    Develop the textures of the foliage and fabric, using a variety of brushstrokes.

  6. step 06

    Refine the lighting and shadows, creating a sense of depth and volume.

  7. step 07

    Add final details, such as the bird and small plants.

  8. step 08

    Glaze with thin layers of color to unify the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · ultramarine blue · cadmium red light · yellow ochre

Achieve the muted tones by mixing earth colors with white and small amounts of blue or red. Use glazes of thinned paint to create subtle color variations.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the atmospheric perspective, resulting in a flat landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (#2, #4, #6)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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oil painting for beginners →how to learn by studying the masters →
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