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home·artworks·Square Tertre on Montmartre
Square Tertre on Montmartre by Maurice Utrillo

plate no. 6793

Square Tertre on Montmartre

Maurice Utrillo

oil, canvasPost-Impressionismcityscapebuildingsstreettreescityscapeshopssky
some experience helpful

Recreating this painting will help students develop skills in depicting architectural forms with simplified shapes and capturing atmospheric perspective using a limited color palette. It also provides practice in rendering textures with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings and trees, paying attention to perspective.

  2. step 02

    Block in the sky with a light gray or blue-gray wash.

  3. step 03

    Establish the main color blocks for the buildings, using a limited palette of whites, grays, and earth tones.

  4. step 04

    Add details to the buildings, such as windows, doors, and signage, using darker values.

  5. step 05

    Paint the trees with thin, vertical strokes, adding branches and twigs.

  6. step 06

    Develop the street with horizontal strokes, suggesting the texture of the pavement.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Refine details and adjust values as needed.

color palette

primary · titanium white · raw umber · burnt sienna · payne's gray

secondary · sap green · cadmium red light · yellow ochre

Mix various shades of gray by combining white, raw umber, and a touch of blue or red. Achieve the building colors by mixing white with small amounts of earth tones and grays.

techniques

  • ·dry brushing
  • ·scumbling
  • ·broken color
  • ·limited palette
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the simplicity of the original.
  • →Using too many colors and creating a muddy effect.
  • →Ignoring the atmospheric perspective and making the background too sharp.
  • →Not capturing the texture of the buildings and street.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (titanium white, raw umber, burnt sienna, payne's gray)
  • ·round brushes (#4, #6, #8)
  • ·flat brush (#6)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·palette knife
  • ·easel
  • ·medium (e.g., Liquin)

Using a slightly textured canvas can enhance the effect of the brushstrokes. Consider using a medium to speed up drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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