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home·artworks·Springtime in Mostar
Springtime in Mostar by Tivadar Kosztka Csontvary

plate no. 5171

Springtime in Mostar

Tivadar Kosztka Csontvary, 1903

oilPost-Impressionismcityscapecityscapemountainsbuildingstreesfiguressky
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as simplifying complex architectural forms into basic shapes. Students will also learn to create a sense of perspective using color and value.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, buildings, and foreground, paying attention to the overall composition.

  2. step 02

    Block in the sky with a light blue-gray wash.

  3. step 03

    Establish the basic colors of the mountains, using muted greens, browns, and grays.

  4. step 04

    Begin painting the buildings, focusing on the larger shapes and their relative values.

  5. step 05

    Add details to the buildings, such as windows, doors, and architectural features.

  6. step 06

    Paint the foreground, including the trees, figures, and pathways, using a mix of greens, browns, and reds.

  7. step 07

    Refine the details and add highlights and shadows to create depth and dimension.

  8. step 08

    Add final touches, such as small details and adjustments to the overall color balance.

color palette

primary · titanium white · ultramarine blue · burnt umber · cadmium red

secondary · yellow ochre · viridian green · raw sienna

Mix muted greens for the mountains by combining ultramarine blue, yellow ochre, and burnt umber. Create the various shades of gray for the buildings by mixing titanium white with small amounts of ultramarine blue and burnt umber. Use cadmium red mixed with burnt umber for the red roofs.

techniques

  • ·layering
  • ·color mixing
  • ·atmospheric perspective
  • ·simplification of forms
  • ·scumbling

common pitfalls

  • →Getting lost in the details too early.
  • →Using colors that are too bright or saturated.
  • →Failing to establish a clear sense of perspective.
  • →Overworking the painting and losing the freshness of the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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