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home·artworks·Spring Tide
Spring Tide by Kexin Di

plate no. 9287

Spring Tide

Kexin Di, 2008

oilContemporary Realismgenre paintingfiguresboatswaterwoodclothingharbor
experienced study

Recreating this painting will help students develop skills in depicting figures in complex poses and rendering textures with visible brushstrokes. It also provides practice in creating depth and atmosphere in a busy scene.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the composition and placement of figures and boats.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Develop the figures, paying attention to anatomy and skin tones, using layering techniques.

  4. step 04

    Add details to the boats and wooden structures, capturing the textures with thick paint and visible brushstrokes.

  5. step 05

    Refine the background, suggesting the water and distant boats with looser brushwork.

  6. step 06

    Adjust values and colors to create depth and atmosphere.

  7. step 07

    Add final highlights and details to enhance the realism.

  8. step 08

    Review and make final adjustments to the overall composition and balance.

color palette

primary · raw umber · burnt sienna · ultramarine blue · titanium white

secondary · yellow ochre · cadmium red · payne's gray

Achieve skin tones by mixing burnt sienna, raw umber, and white with small amounts of red and yellow. Mix blues and browns to create the grays and browns of the boats and wood.

techniques

  • ·impasto
  • ·alla prima
  • ·scumbling
  • ·layering
  • ·broken color

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Over-blending the brushstrokes, losing the texture and vibrancy.
  • →Failing to accurately capture the proportions and anatomy of the figures.
  • →Not paying attention to the subtle color variations in the skin tones and wooden structures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (raw umber, burnt sienna, ultramarine blue, titanium white, yellow ochre, cadmium red, payne's gray)
  • ·assorted hog bristle brushes (flat and round)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a medium to improve the flow and drying time of the paints.

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