apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Spring (Spring Garden)
Spring (Spring Garden) by Sedrak Arakelyan

plate no. 9185

Spring (Spring Garden)

Sedrak Arakelyan, 1923

oil, canvasPost-Impressionismlandscapetreesblossomsgardenfiguresbuildinglandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex forms into impressionistic brushstrokes. It also provides practice in capturing light and shadow in a garden setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, figures, and building.

  2. step 02

    Block in the sky and background with light blue and hints of pink.

  3. step 03

    Establish the main shapes of the trees with darker blues and greens.

  4. step 04

    Begin layering white and off-white paint to create the blossoms, using short, broken brushstrokes.

  5. step 05

    Add details to the figures with red, blue, and yellow, keeping them simple and impressionistic.

  6. step 06

    Define the shadows and pathways with darker greens and blues.

  7. step 07

    Refine the details of the building with light yellows and grays.

  8. step 08

    Add final touches to the blossoms and foliage to create a sense of depth and texture.

color palette

primary · titanium white · ultramarine blue · cadmium yellow

secondary · alizarin crimson · viridian green · raw umber

Mix various shades of white with blue and pink for the blossoms. Use blue and yellow to create different greens for the foliage. Mix crimson and yellow for the figures' clothing.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·layering
  • ·color mixing

common pitfalls

  • →Overworking the blossoms, resulting in a flat, uniform appearance.
  • →Failing to create a sense of depth in the foliage.
  • →Making the figures too detailed, disrupting the overall impressionistic style.
  • →Not varying the brushstrokes enough to create texture and interest.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-sized canvas to allow for sufficient detail. Consider using a fast-drying medium to speed up the drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov