apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Spring in Kaunas
Spring in Kaunas by Mstislav Dobuzhinsky

plate no. 0714

Spring in Kaunas

Mstislav Dobuzhinsky, 1923

watercolor, paperNaïve Art (Primitivism)cityscapecityscapetreesbuildingsfenceskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in layering watercolor washes and creating texture with dry brush techniques. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: buildings, trees, and fence.

  2. step 02

    Apply a light wash of yellow and ochre to the sky area.

  3. step 03

    Begin layering washes of green and blue for the foliage, allowing colors to blend.

  4. step 04

    Add darker greens and browns to create depth in the trees and shadows.

  5. step 05

    Paint the buildings with diluted browns, grays, and whites, adding details with a fine brush.

  6. step 06

    Use a dry brush technique to add texture to the fence with grays and browns.

  7. step 07

    Add highlights to the foliage and buildings with lighter colors.

  8. step 08

    Refine details and add final touches to the composition.

color palette

primary · yellow ochre · sap green · burnt umber · cerulean blue

secondary · titanium white · raw sienna · payne's gray

Mix greens by combining yellow ochre and cerulean blue. Achieve various browns by mixing burnt umber with yellow ochre and a touch of blue. Use white to lighten colors and create highlights.

techniques

  • ·watercolor washes
  • ·dry brush
  • ·layering
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the washes, leading to muddy colors.
  • →Not allowing layers to dry completely before adding new ones.
  • →Making the colors too saturated or intense.
  • →Losing the loose, expressive quality of the original.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper 140lb
  • ·round brushes (various sizes)
  • ·flat brush
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil

optional

  • ·masking fluid
  • ·kneaded eraser
  • ·ruler

Use high-quality watercolor paper to prevent buckling and allow for better blending. Experiment with different brush sizes to achieve varying levels of detail.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Shepherd and his Lover

Shepherd and his Lover

Bertalan Por

The sketch to the movie "Colour of Pomegranate". "Muse"

The sketch to the movie "Colour of Pomegranate". "Muse"

Sergei Parajanov

Surprised!

Surprised!

Henri Rousseau

Holy Mountain I

Holy Mountain I

Horace Pippin

Glassmakers street in Vilno

Glassmakers street in Vilno

Mstislav Dobuzhinsky

Gibraltar

Gibraltar

Alfred Wallis

Willage. Horse Taming

Willage. Horse Taming

Victor Palmov

Old Corn Mill, Keighley

Old Corn Mill, Keighley

John Bradley