
plate no. 1030
Thomas Dewing, 1890
Recreating this painting will help students develop skills in color mixing to achieve subtle tonal variations and layering techniques to create depth and atmosphere.
technical profile
approach — 8 steps
Sketch the basic composition, including the placement of figures, the mountain, and the horizon line.
Establish the overall color scheme by applying a thin wash of diluted paint to the entire canvas.
Begin layering in the background elements, starting with the sky and mountain, using soft, blended brushstrokes.
Develop the field with varying shades of green and yellow, adding small dabs of white for the wildflowers.
Block in the figures with simplified shapes and colors, paying attention to the folds of their clothing.
Refine the details of the figures, including facial features, hair, and the basket of flowers.
Add highlights and shadows to create depth and dimension, focusing on the areas where light is hitting the figures and the landscape.
Make final adjustments to the colors and values to achieve a harmonious and atmospheric effect.
color palette
primary · yellow ochre · raw umber · titanium white · alizarin crimson
secondary · ultramarine blue · sap green · cadmium yellow light
Achieve the muted tones by mixing complementary colors and adding white to lighten the values. Use thin glazes of color to build up depth and luminosity.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for optimal texture. Consider using a limited palette to simplify color mixing.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Spring, Hudson River
Leon Dabo

Oraibi, Hopi village, Arizona
Xavier Martinez

The Farmyard
Albert Pinkham Ryder

Woodland Vista
Ralph Blakelock

Landscape
Leon Dabo

Untitled (Moon Over a Harbor)
Edward Mitchell Bannister

Afternoon in Piedmont (Elsie Whitaker Martinez)
Xavier Martinez

Near Conway, North Wales
Alexander Helwig Wyant