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home·artworks·Sorrento. Grave of Sylvester Shchedrin.
Sorrento. Grave of Sylvester Shchedrin. by Pyotr Konchalovsky

plate no. 0271

Sorrento. Grave of Sylvester Shchedrin.

Pyotr Konchalovsky, 1924

oilPost-Impressionismcityscapebuildingshillsidefiguresarchitecturestreetvegetation
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex scenes into basic shapes and values. Students will also learn how to create a sense of atmosphere and light using color temperature and brushwork.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, hillside, and road, paying attention to perspective.

  2. step 02

    Block in the large areas of color, starting with the sky and hillside, then moving to the buildings and road.

  3. step 03

    Establish the main light and shadow patterns, using darker values for shadows and lighter values for highlights.

  4. step 04

    Begin adding details to the buildings, such as windows, doors, and architectural features.

  5. step 05

    Develop the texture of the hillside and vegetation using short, broken brushstrokes.

  6. step 06

    Add figures to the scene, paying attention to their placement and scale.

  7. step 07

    Refine the colors and values throughout the painting, adjusting as needed to create a sense of depth and atmosphere.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · yellow ochre · burnt sienna · ultramarine blue

secondary · cadmium red · viridian green · raw umber

Mix various shades of white with yellow ochre and burnt sienna for the buildings. Use ultramarine blue and white for the sky, and mix greens with yellow ochre and ultramarine blue. Add touches of cadmium red for accents.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·layering
  • ·color temperature

common pitfalls

  • →overworking the painting
  • →getting bogged down in details too early
  • →not establishing a clear value structure
  • →using colors straight from the tube without mixing

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·#6 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·easel
  • ·rags

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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