apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Soldiers at Cany
Soldiers at Cany by William Orpen

plate no. 9519

Soldiers at Cany

William Orpen, 1900

oilPost-Impressionismgenre paintingsoldierslandscapevillagetreesskypath
some experience helpful

This painting offers a good opportunity to practice atmospheric perspective and simplified figure painting. Students can also explore color mixing to create a harmonious and muted palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the horizon line.

  2. step 02

    Block in the large shapes of the landscape with thin washes of color, establishing the light and shadow patterns.

  3. step 03

    Add the sky and clouds, blending the colors softly to create a sense of atmosphere.

  4. step 04

    Paint the distant village, using muted colors and soft edges to suggest distance.

  5. step 05

    Develop the foreground, adding details to the path, grass, and trees.

  6. step 06

    Paint the soldiers, simplifying their forms and focusing on their overall shape and color.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and realism.

  8. step 08

    Add final highlights and shadows to enhance the form and create visual interest.

color palette

primary · yellow ochre · raw umber · burnt sienna · Prussian blue

secondary · titanium white · cadmium red light · sap green

Mix greens by combining yellow ochre and Prussian blue. Use white to lighten values and create atmospheric haze. Muted tones are achieved by mixing complementary colors.

techniques

  • ·blocking in
  • ·atmospheric perspective
  • ·simplified figure painting
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overworking the details
  • →Ignoring atmospheric perspective
  • →Using colors that are too bright
  • →Incorrect proportions of the figures

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium

optional

  • ·easel
  • ·painting rags
  • ·odorless mineral spirits

Use a medium-textured canvas for best results. Consider using a limited palette of colors to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov