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home·artworks·Soldiers and Peasants, Cassel
Soldiers and Peasants, Cassel by William Orpen

plate no. 3611

Soldiers and Peasants, Cassel

William Orpen, 1917

oilPost-Impressionismcityscapebuildingsfiguresstreetskysoldierstown
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in light and shadow, as well as practice loose brushwork to capture the texture of the buildings and figures.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and figures, focusing on proportions and placement.

  2. step 02

    Block in the large areas of color, starting with the sky and the main building's yellow facade.

  3. step 03

    Mix and apply the various shades of yellow and green for the building, paying attention to the subtle shifts in tone.

  4. step 04

    Add the darker tones for the shadows and details of the windows and doors.

  5. step 05

    Paint the figures, using loose brushstrokes to suggest their forms and clothing.

  6. step 06

    Refine the details of the buildings and figures, adding highlights and shadows to create depth.

  7. step 07

    Add the details of the street and the surrounding buildings, using a variety of brushstrokes to create texture.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and atmospheric painting.

color palette

primary · yellow ochre · ultramarine blue · burnt umber

secondary · sap green · titanium white · cadmium red light

Mix yellow ochre with small amounts of ultramarine blue to create the muted greens and grays. Use burnt umber to darken shadows and add depth. Add titanium white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·color temperature

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Focusing too much on detail too early in the process.
  • →Ignoring the subtle shifts in color and value.
  • →Not establishing a clear focal point.
  • →Overworking the painting, losing the freshness of the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil
  • ·mineral spirits

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to allow for the broken color technique. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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