
plate no. 1381
Peter Fendi, 1833
This painting is a good exercise in rendering realistic skin tones and fabric folds using a limited palette. Students can also practice creating depth through subtle value changes and atmospheric perspective.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure and key objects.
Establish the background with thin washes of warm browns and yellows.
Block in the main shapes of the figure and clothing, paying attention to proportions.
Begin layering skin tones, using subtle variations of pinks, yellows, and browns.
Develop the folds and shadows in the clothing, using darker values of the base color.
Add details to the door, furniture, and other objects, using small brushes.
Refine the highlights and shadows throughout the painting to create depth and dimension.
Add final details like the hair, jewelry, and textures.
color palette
primary · raw umber · titanium white · yellow ochre
secondary · burnt sienna · ivory black · cadmium red light
Mix skin tones using white, yellow ochre, and a touch of red and umber. Create shadows by adding burnt sienna and black to the base colors. Use thin washes of umber and yellow ochre to create the warm tones of the background.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a high-quality canvas primed with gesso. Consider using a limited palette to simplify the color mixing process.
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