
plate no. 5353
Tove Jansson, 1940
This painting offers practice in portraiture, focusing on skin tones and capturing a likeness with visible brushstrokes. Students can learn to mix colors effectively to create subtle variations in light and shadow.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the head, neck, and hand.
Block in the background with a thin layer of turquoise.
Establish the main areas of color for the skin, hair, and clothing.
Begin building up layers of paint, focusing on the light and shadow on the face.
Add details to the hair, eyes, nose, and mouth.
Refine the hand and cigarette, paying attention to the subtle gradations of color.
Adjust the colors and values throughout the painting to create a sense of harmony.
Add final details and highlights.
color palette
primary · titanium white · yellow ochre · burnt sienna · cerulean blue
secondary · cadmium red · ultramarine blue · raw umber
Mix skin tones using white, yellow ochre, and a touch of red. Use blue and white to create the turquoise background. Add small amounts of umber to darken colors.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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