apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Small Farm by the Eure River
Small Farm by the Eure River by Gustave Loiseau

plate no. 6713

Small Farm by the Eure River

Gustave Loiseau

oil, canvasPost-Impressionismlandscaperiverbuildingstreeslandscapeskyvegetation
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and color mixing to create atmospheric perspective. Students will also learn to simplify complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, trees, and river.

  2. step 02

    Block in the sky with light blues and grays, using broken brushstrokes.

  3. step 03

    Establish the main colors of the buildings (red roofs, light walls) with broad strokes.

  4. step 04

    Paint the trees and foliage, focusing on color variations and textures.

  5. step 05

    Add the reflections in the river, using horizontal strokes and similar colors to the objects above.

  6. step 06

    Refine the details of the buildings and trees, adding highlights and shadows.

  7. step 07

    Adjust the overall color harmony and value relationships.

  8. step 08

    Add final touches and details to the foreground vegetation.

color palette

primary · ultramarine blue · burnt sienna · yellow ochre · titanium white

secondary · viridian green · cadmium red

Mix various shades of gray for the sky by combining ultramarine blue, burnt sienna, and white. Achieve the green tones by mixing yellow ochre and viridian green. Use white to lighten colors and create highlights.

techniques

  • ·broken brushstrokes
  • ·wet-on-wet blending
  • ·scumbling
  • ·color layering
  • ·impasto

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using colors straight from the tube without mixing.
  • →Creating muddy colors by over-blending.
  • →Ignoring the value relationships and creating a flat image.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (ultramarine blue, burnt sienna, yellow ochre, titanium white, viridian green, cadmium red)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use a medium-tooth canvas to allow for texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov