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Sleeping guards by Carl Spitzweg

plate no. 5940

Sleeping guards

Carl Spitzweg, 1848

oil, canvasBiedermeierlandscapetowerlandscapefigurefoliagearchitecturesky
some experience helpful

Recreating this painting will help students develop skills in creating atmospheric perspective and rendering textures of stone and foliage using layering and glazing techniques.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the tower, figures, and surrounding landscape.

  2. step 02

    Establish the overall color scheme with a thin wash of earth tones.

  3. step 03

    Block in the main shapes of the tower and surrounding structures, paying attention to light and shadow.

  4. step 04

    Develop the details of the tower, including the texture of the stone and the architectural features.

  5. step 05

    Add the foliage, using varying shades of green and brown to create depth and dimension.

  6. step 06

    Paint the figures, focusing on capturing their poses and expressions.

  7. step 07

    Refine the details of the landscape, including the path, grass, and distant hills.

  8. step 08

    Add final glazes to unify the painting and create a sense of atmosphere.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · sap green · ultramarine blue · cadmium red

Mix burnt umber and raw sienna with white for the stone and earth tones. Use sap green with touches of blue and umber for the foliage. Add red to umber for the tower roof.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·sap green oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use a medium-tooth canvas for best results. Consider using a toned ground to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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