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home·artworks·Sleeping Grave Guards with Mace and Sword
Sleeping Grave Guards with Mace and Sword by Bernhard Strigel

plate no. 8110

Sleeping Grave Guards with Mace and Sword

Bernhard Strigel

oilNorthern Renaissancegenre paintingfigurelandscapetreesarmorweaponsky
some experience helpful

Recreating this painting will help students develop skills in figure drawing, particularly foreshortening, and in rendering realistic skin tones and textures. Students will also learn to create depth through atmospheric perspective in the background landscape.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 7 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and proportions.

  2. step 02

    Block in the main areas of color: skin tones, clothing, trees, landscape, and sky.

  3. step 03

    Develop the skin tones using layers of color, paying attention to highlights and shadows.

  4. step 04

    Add details to the armor and clothing, using darker tones to create depth and texture.

  5. step 05

    Refine the background landscape, using lighter colors and softer edges to create atmospheric perspective.

  6. step 06

    Add details to the trees and foliage, using a variety of brushstrokes to create texture.

  7. step 07

    Adjust the overall values and colors to create a sense of harmony and balance.

color palette

primary · raw umber · burnt sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Mix skin tones by blending burnt sienna, raw umber, and titanium white. Use ultramarine blue and titanium white for the sky, and add a touch of burnt sienna for the distant mountains. Mix black with burnt umber for the armor.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·blending
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions in the figure drawing.
  • →Overly saturated colors.
  • →Lack of depth in the landscape.
  • →Ignoring the subtle variations in skin tones.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Titanium white oil paint
  • ·Burnt sienna oil paint
  • ·Raw umber oil paint
  • ·Cadmium red oil paint
  • ·Ultramarine blue oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface is recommended for easier blending.

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