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Skinny Woman by John Currin

plate no. 5426

Skinny Woman

John Currin, 1992

oil, linenContemporary Realismportraitfigureportraitwomanclothingskinface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones with subtle value changes. It also provides practice in simplifying complex forms and understanding the interplay of light and shadow on the human figure.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the figure's pose and proportions on the canvas.

  2. step 02

    Block in the large shapes of the background, clothing, and skin with thin washes of color.

  3. step 03

    Establish the basic value structure by adding darker shadows and lighter highlights.

  4. step 04

    Refine the skin tones by layering and blending colors to create smooth transitions.

  5. step 05

    Pay close attention to the facial features, capturing the likeness and expression of the subject.

  6. step 06

    Add details to the clothing, such as folds and wrinkles, to create a sense of realism.

  7. step 07

    Adjust the overall color balance and value contrast to achieve a harmonious composition.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · burnt umber · cadmium red light

secondary · ultramarine blue · yellow ochre · ivory black

Mix various combinations of white, umber, and red to achieve the different skin tones. Use blue and yellow ochre to create the cool grays in the hair. Add black to umber for the darks in the clothing.

techniques

  • ·color mixing
  • ·layering
  • ·blending
  • ·value control
  • ·portraiture

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle value changes.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for layering and blending.

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oil painting for beginners →how to learn by studying the masters →
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