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home·artworks·Sketch for Opulent October
Sketch for Opulent October by Tom Thomson

plate no. 5611

Sketch for Opulent October

Tom Thomson, 1915

oil, woodPost-Impressionismsketch and studytreesforestlandscapeautumnfoliagebranches
some experience helpful

Recreating this painting will help students practice loose brushwork and learn to simplify complex scenes into basic shapes and colors. It also provides experience in capturing the essence of a landscape with limited detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition: horizon line, major tree trunks, and the overall shapes of the foliage.

  2. step 02

    Block in the sky and background with light, neutral tones.

  3. step 03

    Establish the dark masses of the tree trunks and branches using a dark brown or black.

  4. step 04

    Begin adding the foliage using broad strokes of color, focusing on the overall color masses rather than individual leaves.

  5. step 05

    Layer in highlights and shadows to create depth and dimension in the foliage.

  6. step 06

    Add details to the foreground, such as grass and fallen leaves, using short, broken strokes.

  7. step 07

    Refine the shapes of the tree trunks and branches, adding subtle variations in color and value.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · burnt umber · yellow ochre · titanium white · sap green

secondary · cadmium red · ultramarine blue

Mix greens by combining yellow ochre and ultramarine blue, and adjust the value with white. Create browns by mixing burnt umber and yellow ochre, and adjust the warmth with cadmium red.

techniques

  • ·alla prima
  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Focusing too much on detail and neglecting the overall composition.
  • →Using colors that are too saturated and not harmonizing with the rest of the painting.
  • →Creating mud by over-mixing colors on the palette or canvas.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (burnt umber, yellow ochre, titanium white, sap green, cadmium red, ultramarine blue)
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use a limited palette to simplify the color mixing process. Consider using a toned canvas to create a more unified color harmony.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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