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home·artworks·Sketch for 'Central Otago'
Sketch for 'Central Otago' by Rita Angus

plate no. 7960

Sketch for 'Central Otago'

Rita Angus, 1953

oilRegionalismlandscapemountainslandscapehillsskytreesbuildings
suitable for beginners

Recreating this painting will help students develop skills in layering transparent washes and creating depth through atmospheric perspective. It also provides practice in simplifying complex landscapes into basic shapes and forms.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the mountains, hills, and buildings.

  2. step 02

    Apply a light wash of yellow ochre over the entire paper to create a warm base tone.

  3. step 03

    Begin layering washes of diluted yellow, orange, and red to establish the warm tones of the hills and sky.

  4. step 04

    Introduce cooler tones like blues and purples to the distant mountains to create atmospheric perspective.

  5. step 05

    Add details to the trees and buildings using small brushstrokes and varying shades of green and brown.

  6. step 06

    Define the shapes of the hills and mountains with subtle shadows using a mix of blue and brown.

  7. step 07

    Add final details such as the small figures and the texture of the land.

  8. step 08

    Evaluate and adjust colors and values as needed to achieve the desired effect.

color palette

primary · yellow ochre · cerulean blue · burnt sienna

secondary · sap green · alizarin crimson · ultramarine blue

Mix blues and browns to create shadows in the hills and mountains. Use diluted washes of primary colors to achieve the transparent effect. Mix greens from blues and yellows, adding a touch of red to dull the color for natural tones.

techniques

  • ·watercolor washes
  • ·layering
  • ·atmospheric perspective
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →Overworking the washes and losing transparency
  • →Using colors straight from the tube without mixing
  • →Not allowing layers to dry completely before applying the next
  • →Making the colors too saturated and unrealistic

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 4, 8, 12)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·spray bottle
  • ·kneaded eraser

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Experiment with different brush sizes to achieve varying levels of detail.

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oil painting for beginners →how to learn by studying the masters →
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