apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Sister Parish
Sister Parish by Aaron Shikler

plate no. 5686

Sister Parish

Aaron Shikler, 1995

oilNew Realismportraitportraitfiguredoginteriorfurnituredress
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding subtle color variations to create depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and dog.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Block in the background with broad strokes, paying attention to the overall tone.

  4. step 04

    Begin layering in the skin tones, starting with the mid-tones and gradually adding highlights and shadows.

  5. step 05

    Paint the dress and furniture, focusing on the folds and textures.

  6. step 06

    Add details to the dog's fur, using short, broken brushstrokes.

  7. step 07

    Refine the facial features, paying close attention to the eyes and mouth.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · yellow ochre · raw umber · burnt sienna

secondary · ivory black · cadmium yellow light · alizarin crimson · viridian

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Use varying amounts of each color to create subtle variations in tone. Mix greens and browns for the background and dog.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the freshness of the paint.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (titanium white, yellow ochre, raw umber, burnt sienna, ivory black, alizarin crimson)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Delta Farms

Delta Farms

Wayne Thiebaud

House by the Railroad

House by the Railroad

Edward Hopper

The Mansard Roof

The Mansard Roof

Edward Hopper

Spring Planting, Greenwich Village

Spring Planting, Greenwich Village

John French Sloan

Renganeschi's Saturday Night

Renganeschi's Saturday Night

John French Sloan

Fishing Port, Gloucester

Fishing Port, Gloucester

John French Sloan

American Landscape

American Landscape

Charles Sheeler

Grain Elevators

Grain Elevators

Charles E. Burchfield