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home·artworks·Sir William Meff, Lord Provost of Aberdeen
Sir William Meff, Lord Provost of Aberdeen by William Orpen

plate no. 3738

Sir William Meff, Lord Provost of Aberdeen

William Orpen, 1925

oilPost-Impressionismportraitportraitfigurerobefurjewelryred
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting complex textures like fur and velvet.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions.

  2. step 02

    Block in the large shapes and areas of color, focusing on the overall value structure.

  3. step 03

    Develop the background with subtle variations in tone and color.

  4. step 04

    Refine the facial features, paying close attention to the highlights and shadows.

  5. step 05

    Add details to the robe and fur, using layering and glazing techniques.

  6. step 06

    Render the jewelry with accurate color and highlights.

  7. step 07

    Adjust the overall color balance and contrast to create a sense of depth.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · crimson · burnt umber · yellow ochre · titanium white

secondary · ivory black · raw sienna · cadmium yellow

Achieve the red robe color by mixing crimson with burnt umber and a touch of yellow ochre. Skin tones can be created by blending yellow ochre, burnt umber, and titanium white, with small amounts of crimson for warmth.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·color layering
  • ·blending

common pitfalls

  • →Overworking the details before establishing the overall value structure.
  • →Using colors that are too saturated or unrealistic.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in tone and color.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (crimson, burnt umber, yellow ochre, titanium white, ivory black, raw sienna, cadmium yellow)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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