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home·artworks·Sir William McCormick
Sir William McCormick by William Orpen

plate no. 8658

Sir William McCormick

William Orpen, 1920

oilPost-Impressionismportraitportraitfiguremanchairclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, capturing likeness, and creating depth through value and color variations. It also provides practice in rendering fabric and creating a sense of form through subtle gradations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and chair, paying attention to the overall composition.

  2. step 02

    Establish the dark background using a thin wash of dark colors.

  3. step 03

    Block in the main areas of color for the face, clothing, and chair, focusing on the overall value structure.

  4. step 04

    Refine the facial features, paying close attention to the light and shadow on the face to create form.

  5. step 05

    Develop the details of the clothing, including the folds and wrinkles, using a variety of brushstrokes.

  6. step 06

    Add highlights and shadows to create depth and dimension in the painting.

  7. step 07

    Refine the edges and details of the chair and background.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the colors.

color palette

primary · ivory black · titanium white · raw umber · burnt sienna

secondary · cadmium red light · yellow ochre · ultramarine blue

Mix various shades of gray for the clothing and background by combining black, white, and small amounts of raw umber and burnt sienna. Achieve the skin tones by mixing white, red, yellow ochre, and a touch of umber.

techniques

  • ·portraiture
  • ·value studies
  • ·glazing
  • ·scumbling
  • ·blending

common pitfalls

  • →Incorrect proportions of the figure
  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Using colors that are too saturated
  • →Ignoring the subtle color variations in the skin tones

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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