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Sir Paul Fildes by Luke Fildes

plate no. 2717

Sir Paul Fildes

Luke Fildes, 1919

oil, canvasAcademicismportraitportraitmanuniformhatmilitaryfigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value gradations to create form. It also provides practice in rendering realistic textures and details, such as the fabric of the uniform and the metallic elements of the hat.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure, hat, and background.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin refining the facial features, paying close attention to the subtle shifts in value and color.

  4. step 04

    Develop the details of the uniform, including the buttons, collar, and any decorations.

  5. step 05

    Paint the hat, focusing on the highlights and shadows to create a sense of form and texture.

  6. step 06

    Refine the background, ensuring that it complements the figure without distracting from it.

  7. step 07

    Add final details and highlights to enhance the realism and depth of the painting.

  8. step 08

    Glaze to unify the painting and adjust values as needed.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · cadmium red light · ultramarine blue

Mix various shades of brown and gray by combining raw umber, ivory black, and titanium white. Use yellow ochre and cadmium red to create the gold tones of the hat emblem and buttons. Add small amounts of ultramarine blue to darken shadows and create depth.

techniques

  • ·portrait painting
  • ·value studies
  • ·blending
  • ·glazing
  • ·scumbling

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

A smooth canvas surface will allow for easier blending and detail work. Consider using a toned canvas to help establish the overall value structure.

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oil painting for beginners →how to learn by studying the masters →
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