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home·artworks·Shooting Sea Fowl
Shooting Sea Fowl by George Morland

plate no. 8681

Shooting Sea Fowl

George Morland, 1795

oilRococogenre paintingseaskyfigurescliffswavesbeach
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering figures within a landscape. Students will also learn how to create dynamic compositions with multiple focal points.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the horizon line, figures, and major landscape elements.

  2. step 02

    Establish the overall value structure with a thin wash of neutral color, focusing on the light and shadow patterns.

  3. step 03

    Block in the sky and sea, blending colors to create a sense of depth and atmosphere.

  4. step 04

    Define the cliffs and beach, adding details and textures to create a sense of realism.

  5. step 05

    Paint the figures, paying attention to their proportions and poses.

  6. step 06

    Add details to the waves, rocks, and foliage, using a variety of brushstrokes to create visual interest.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final details, such as the birds in the sky and the highlights on the waves.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna · ivory black

Mix various shades of gray and blue for the sky and sea. Use yellow ochre and burnt sienna to create warm tones for the cliffs and beach. Mix white with small amounts of other colors to create highlights.

techniques

  • ·atmospheric perspective
  • ·blending
  • ·scumbling
  • ·dry brushing
  • ·figure drawing

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Failing to create a convincing sense of depth.
  • →Making the figures look stiff or unnatural.
  • →Not paying attention to the light and shadow patterns.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended for this project.

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