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home·artworks·Shinano in Spring
Shinano in Spring by Fujishima Takeji

plate no. 5895

Shinano in Spring

Fujishima Takeji

pastelPost-Impressionismlandscapemountainstreesbuildingsskylandscapevillage
some experience helpful

This painting provides practice in layering colors to create depth and texture, and in simplifying complex forms into basic shapes. Students will also learn to create atmospheric perspective using color and value.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, buildings, and trees using light pencil lines.

  2. step 02

    Block in the sky with a light blue pastel, blending it smoothly.

  3. step 03

    Apply the base colors for the mountains, using greens, browns, and grays, paying attention to the planes and shadows.

  4. step 04

    Add the darker tones to the mountains to define the ridges and valleys.

  5. step 05

    Block in the colors for the fields and foreground, using greens and yellows.

  6. step 06

    Add details to the buildings, using browns and reds for the roofs and walls.

  7. step 07

    Create the blossoms on the trees using white and pink pastels, applying them in small, broken strokes.

  8. step 08

    Add final details and highlights to the entire painting, blending and layering colors as needed.

color palette

primary · light blue · green · brown · white

secondary · gray · yellow · pink · red

Mix greens with browns and yellows to create the various shades of the fields and mountains. Use white to lighten the blues and create a hazy sky.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the pastel and creating a muddy effect.
  • →Failing to establish a clear value structure.
  • →Making the colors too saturated and unrealistic.
  • →Not simplifying the complex forms of the mountains and trees.

materials

surface · pastel paper (toned)

required

  • ·Pastel set (soft pastels)
  • ·Pastel paper (toned)
  • ·Kneaded eraser
  • ·Blending stumps
  • ·Fixative spray
  • ·Pencil
  • ·Ruler

optional

  • ·Workable fixative
  • ·Easel
  • ·Palette for pastels

Choose a pastel paper with a slightly rough texture to grip the pastel. A toned paper will make it easier to establish the values.

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related guides

color theory for painters →how to learn by studying the masters →
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