apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Shaping of Black America
Shaping of Black America by Charles Wilbert White

plate no. 1072

Shaping of Black America

Charles Wilbert White

oilSocial Realismsymbolic paintingfigurefatherchildstarsportraitsymbolism
some experience helpful

Recreating this painting will help students develop skills in tonal painting, portraiture, and creating depth using value. It also provides practice in rendering realistic figures and drapery.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and the star background, paying attention to proportions and placement.

  2. step 02

    Establish the darkest values with a thin wash of burnt umber, focusing on shadows and areas of contrast.

  3. step 03

    Gradually build up the mid-tones using diluted washes of burnt umber, layering to create depth.

  4. step 04

    Refine the facial features and details of the figures, using smaller brushes and more concentrated pigment.

  5. step 05

    Add subtle highlights to the figures and background to enhance the sense of form and light.

  6. step 06

    Define the edges of the figures and stars, softening some areas to create a sense of atmosphere.

  7. step 07

    Pay attention to the drapery folds and textures, using dry brush techniques to add detail.

  8. step 08

    Review the overall composition and make any necessary adjustments to values and details.

color palette

primary · burnt umber · raw umber · titanium white

secondary · ivory black

Achieve the various shades of brown by mixing burnt umber with varying amounts of white or raw umber. Use black sparingly to deepen shadows.

techniques

  • ·tonal painting
  • ·glazing
  • ·dry brushing
  • ·portraiture
  • ·value studies

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh lines instead of soft transitions.
  • →Not paying attention to proportions and anatomy.
  • →Using too much black, which can flatten the image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·linseed oil
  • ·assorted round and flat brushes
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-tooth canvas for best results. Consider using a toned canvas to speed up the initial stages.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

SONG DA HYDROELECTRIC

SONG DA HYDROELECTRIC

Tran Van Can

Police raid

Police raid

George Pemba

Belly Dancers

Belly Dancers

Nuri Iyem

Courtyard with Washing

Courtyard with Washing

John Bratby

Handball

Handball

Ben Shahn

The return of the penitent

The return of the penitent

Luke Fildes

Cross

Cross

Sue Coe

Commotion

Commotion

Philip Evergood