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home·artworks·Shadow on Brigg's Meadow
Shadow on Brigg's Meadow by Neil Welliver

plate no. 7943

Shadow on Brigg's Meadow

Neil Welliver, 1981

oil, canvasContemporary Realismlandscapelandscapetreeswaterskycloudshills
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex natural forms into distinct shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, water, and major tree groupings.

  2. step 02

    Block in the sky with broad strokes of blue and white, paying attention to the shapes of the clouds.

  3. step 03

    Establish the background hills using muted greens and browns, suggesting depth through color and value changes.

  4. step 04

    Paint the water, capturing the reflections of the sky and surrounding landscape.

  5. step 05

    Add the main trees, starting with the dark greens of the evergreens and then the warmer tones of the deciduous trees.

  6. step 06

    Develop the foreground details, including the rocks, grasses, and fallen logs.

  7. step 07

    Refine the details in the trees and foliage, adding highlights and shadows to create a sense of volume.

  8. step 08

    Add final touches and adjustments to unify the painting.

color palette

primary · ultramarine blue · titanium white · sap green · burnt umber

secondary · yellow ochre · cadmium orange · raw sienna

Mix various shades of green by combining sap green with ultramarine blue and yellow ochre. Create muted browns by mixing burnt umber with ultramarine blue and a touch of yellow ochre.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details, losing the freshness and spontaneity of the brushstrokes.
  • →Creating flat, uninteresting colors by not mixing enough variations.
  • →Failing to establish a clear sense of depth and distance.
  • →Not paying attention to the shapes and patterns of the clouds.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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