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home·artworks·Sermon on the Mountain
Sermon on the Mountain by Bertalan Por

plate no. 7943

Sermon on the Mountain

Bertalan Por, 1911

oilPost-Impressionismgenre paintingfigureslandscapehillsskygroupsermon
some experience helpful

This painting is a good exercise in capturing figures in a landscape with expressive brushstrokes and a limited color palette. Students can learn to simplify forms and focus on capturing the overall impression rather than precise details.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement and proportions of the figures and the landscape.

  2. step 02

    Block in the main areas of color using thin washes, starting with the sky and background hills.

  3. step 03

    Begin to define the figures with darker values, paying attention to the direction of light and shadow.

  4. step 04

    Add details to the figures, such as facial features and clothing, using short, expressive brushstrokes.

  5. step 05

    Develop the landscape further, adding texture and depth to the grass and hills.

  6. step 06

    Refine the overall composition, adjusting colors and values as needed.

  7. step 07

    Add final highlights and details to create a sense of realism and depth.

  8. step 08

    Step back and assess the painting, making any necessary adjustments.

color palette

primary · burnt sienna · yellow ochre · titanium white

secondary · viridian green · ultramarine blue

Mix burnt sienna and yellow ochre for the skin tones. Add white to lighten the colors and blue/green to create shadows. Use viridian green and ultramarine blue to create the hills and sky, mixing with white for lighter tones.

techniques

  • ·expressive brushstrokes
  • ·color mixing
  • ·simplification of form
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the details
  • →Getting bogged down in precise representation
  • →Using too many colors
  • →Ignoring the overall composition

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·viridian green oil paint
  • ·ultramarine blue oil paint
  • ·#6 round brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-sized canvas to allow for expressive brushstrokes. Consider using a toned canvas to create a more unified color scheme.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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