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home·artworks·Selling Livestock
Selling Livestock by Charles Cottet

plate no. 6079

Selling Livestock

Charles Cottet

oilPost-Impressionismgenre paintingfigurespigsbuildingstownmarketanimals
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a landscape and creating a sense of depth through atmospheric perspective. It also provides practice in capturing the texture of different materials like stone, fabric, and animal skin.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on the placement of the figures, buildings, and pigs.

  2. step 02

    Establish the background with thin washes of color, paying attention to the atmospheric perspective.

  3. step 03

    Block in the main colors of the buildings, using a limited palette of earth tones.

  4. step 04

    Begin to define the figures, focusing on the values and proportions.

  5. step 05

    Add details to the pigs, capturing their unique shapes and textures.

  6. step 06

    Refine the details of the figures' clothing and faces.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and harmonious painting.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · yellow ochre · ultramarine blue · cadmium red

Mix browns and grays by combining burnt umber, raw sienna, and ultramarine blue. Use white to lighten values and create highlights. Add small amounts of cadmium red to warm up the browns and create a sense of vibrancy.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·atmospheric perspective
  • ·limited palette
  • ·alla prima

common pitfalls

  • →Overworking the details too early
  • →Incorrect proportions of figures and animals
  • →Ignoring the atmospheric perspective
  • →Using too many colors and creating a muddy effect

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·round brushes size 2-6
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use a medium-grit canvas for better texture. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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