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home·artworks·Selling Carrots
Selling Carrots by George Morland

plate no. 9695

Selling Carrots

George Morland, 1795

oilRococogenre paintingfigurestreevegetablesdogtablelandscape
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a landscape setting and understanding how to create depth using atmospheric perspective and subtle color variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of figures and the main elements.

  2. step 02

    Establish the background with a thin wash of muted greens and browns, suggesting the foliage and distant landscape.

  3. step 03

    Block in the main figures with simplified shapes and values, focusing on proportions and gestures.

  4. step 04

    Develop the details of the faces and clothing, using subtle highlights and shadows to create form.

  5. step 05

    Paint the still life elements on the table, paying attention to the colors and textures of the vegetables.

  6. step 06

    Add details to the tree, using varied brushstrokes to suggest the texture of the bark and leaves.

  7. step 07

    Refine the overall composition by adjusting values and adding small details to create depth and interest.

  8. step 08

    Add final highlights and shadows to enhance the sense of light and atmosphere.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · Prussian blue · cadmium red light

Mix muted greens by combining yellow ochre, Prussian blue, and a touch of burnt umber. Achieve skin tones with a base of yellow ochre, white, and a hint of red.

techniques

  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider toning the canvas with a thin wash of burnt umber before starting.

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