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Selfportrait by George Stefanescu

plate no. 2001

Selfportrait

George Stefanescu, 1958

crayon, pastel, paperPost-Impressionismself-portraitportraitself-portraitfacehairfigurehead
some experience helpful

Recreating this portrait will help students develop skills in layering colors with pastels and capturing likeness through careful observation of facial features. It also provides practice in creating texture with pastel strokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head and facial features using a pencil.

  2. step 02

    Establish the background color with light green and gray pastels.

  3. step 03

    Begin layering colors on the face, starting with mid-tones and shadows using browns, reds, and greens.

  4. step 04

    Add highlights to the face using lighter shades of pastel, focusing on the forehead, nose, and cheekbones.

  5. step 05

    Develop the hair with a combination of dark brown, black, and touches of lighter brown and yellow pastels.

  6. step 06

    Refine the details of the eyes, nose, and mouth, paying attention to the subtle variations in color and value.

  7. step 07

    Add the white shirt with simple strokes of white pastel, suggesting folds and shadows.

  8. step 08

    Blend the colors softly to create a cohesive and naturalistic effect.

color palette

primary · gray · green · brown · red

secondary · white · yellow · black

Achieve skin tones by layering browns, reds, and greens. Mix grays by blending white and black pastels. Use yellow to add warmth to the skin and hair.

techniques

  • ·Layering pastels
  • ·Blending
  • ·Hatching and cross-hatching
  • ·Color mixing on the paper
  • ·Creating texture with pastel strokes

common pitfalls

  • →Over-blending, which can result in a muddy appearance
  • →Using too much pressure, which can make the colors appear flat
  • →Ignoring the subtle variations in color and value
  • →Not establishing a strong foundation with the initial sketch

materials

surface · Pastel paper (toned gray or light blue)

required

  • ·Pastel set (various colors)
  • ·Pastel paper (toned gray or light blue)
  • ·Pencil (HB or 2B)
  • ·Eraser
  • ·Blending stump or tortillon
  • ·Fixative spray
  • ·Soft cloth or paper towel

optional

  • ·Kneaded eraser
  • ·Workable fixative
  • ·Easel

Choose a pastel paper with a slightly rough texture to hold the pastel pigments well. Use a workable fixative to prevent smudging and allow for layering.

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related guides

color theory for painters →how to learn by studying the masters →
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