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home·artworks·Self-portrait with Rita
Self-portrait with Rita by Thomas Hart Benton

plate no. 8235

Self-portrait with Rita

Thomas Hart Benton, 1922

oilRegionalismself-portraitfiguresbeachcloudsportraitsealandscape
some experience helpful

Recreating this painting will help students develop skills in figure drawing, portraiture, and creating smooth gradations in skin tones. It also provides practice in simplifying complex scenes into stylized forms.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and landscape.

  2. step 02

    Block in the main shapes and colors using thin washes of paint.

  3. step 03

    Develop the skin tones by layering and blending different shades of ochre, sienna, and white.

  4. step 04

    Define the details of the faces and clothing, paying attention to the light and shadow.

  5. step 05

    Paint the background elements, such as the sky, sea, and rocks, using broad brushstrokes.

  6. step 06

    Refine the edges and contours of the figures and objects to create a sense of depth and volume.

  7. step 07

    Add final highlights and shadows to enhance the overall realism and drama.

  8. step 08

    Varnish the painting to protect it and enhance its colors.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue · titanium white

secondary · raw umber · cadmium red light · ivory black

Mix skin tones using yellow ochre, burnt sienna, and white, adding small amounts of red or blue to adjust the temperature. Create the sky by blending ultramarine blue and white, with touches of yellow ochre for the clouds.

techniques

  • ·blending
  • ·layering
  • ·glazing
  • ·color mixing
  • ·figure drawing

common pitfalls

  • →Incorrect proportions of the figures.
  • →Muddy or dull skin tones.
  • →Overworking the details.
  • →Inaccurate color mixing.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, burnt sienna, ultramarine blue, titanium white, raw umber, cadmium red light, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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