apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Self Portrait with Monkeys
Self Portrait with Monkeys by Frida Kahlo

plate no. 5710

Self Portrait with Monkeys

Frida Kahlo, 1943

oil, canvasNaïve Art (Primitivism)self-portraitportraitmonkeysfoliageself-portraittropicalflower
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating depth through layering of foliage. It also provides practice in rendering fur and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the portrait, monkeys, and foliage, paying attention to proportions and placement.

  2. step 02

    Block in the background foliage with broad strokes, establishing the overall color scheme.

  3. step 03

    Start building up the skin tones of the face and neck, using thin layers of paint and subtle color variations.

  4. step 04

    Paint the monkeys, focusing on capturing their fur texture and facial expressions.

  5. step 05

    Add details to the clothing and jewelry, using finer brushes.

  6. step 06

    Refine the foliage, adding highlights and shadows to create depth.

  7. step 07

    Paint the bird of paradise flower, paying attention to its vibrant colors and unique shape.

  8. step 08

    Add final details and highlights to the entire painting, ensuring a cohesive and balanced composition.

color palette

primary · burnt sienna · yellow ochre · titanium white · ivory black

secondary · cadmium red · ultramarine blue · viridian green · cadmium orange

Skin tones are achieved by mixing burnt sienna, yellow ochre, and titanium white, with small amounts of cadmium red for warmth and ultramarine blue for shadows. Foliage colors are created by mixing viridian green, yellow ochre, and burnt sienna.

techniques

  • ·portrait painting
  • ·glazing
  • ·scumbling
  • ·layering
  • ·color mixing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Getting proportions wrong in the initial sketch.
  • →Failing to create depth in the foliage.
  • →Ignoring subtle color variations in skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (burnt sienna, yellow ochre, titanium white, ivory black, cadmium red, ultramarine blue, viridian green, cadmium orange)
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Shepherd and his Lover

Shepherd and his Lover

Bertalan Por

The sketch to the movie "Colour of Pomegranate". "Muse"

The sketch to the movie "Colour of Pomegranate". "Muse"

Sergei Parajanov

Surprised!

Surprised!

Henri Rousseau

Holy Mountain I

Holy Mountain I

Horace Pippin

Gibraltar

Gibraltar

Alfred Wallis

Willage. Horse Taming

Willage. Horse Taming

Victor Palmov

Old Corn Mill, Keighley

Old Corn Mill, Keighley

John Bradley

Winter Still Life with Candle

Winter Still Life with Candle

Mary Fedden