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home·artworks·Self-Portrait (Pipe and Brown Jacket)
Self-Portrait (Pipe and Brown Jacket) by John French Sloan

plate no. 7268

Self-Portrait (Pipe and Brown Jacket)

John French Sloan, 1947

temperaNew Realismself-portraitportraitmanpipejacketfacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and layering techniques to create depth and texture. Students will also practice capturing likeness and expression.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and pipe.

  2. step 02

    Establish the background with broad strokes of blues and greens, varying the tones.

  3. step 03

    Block in the main areas of the face and jacket with base colors, paying attention to the overall value structure.

  4. step 04

    Begin layering and blending colors to create the subtle variations in skin tone, using warm and cool hues.

  5. step 05

    Add details to the hair, using short, directional strokes to suggest texture and volume.

  6. step 06

    Refine the features of the face, focusing on capturing the likeness and expression.

  7. step 07

    Paint the jacket with visible brushstrokes, layering browns and ochres to create depth and texture.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of realism.

color palette

primary · yellow ochre · burnt umber · ultramarine blue

secondary · titanium white · cadmium red light · viridian

Mix skin tones by combining yellow ochre, burnt umber, and cadmium red light, adjusting the proportions to achieve the desired warmth and value. Use ultramarine blue and viridian to create the background, mixing with white for lighter tones.

techniques

  • ·portraiture
  • ·color mixing
  • ·layering
  • ·visible brushstrokes
  • ·scumbling

common pitfalls

  • →Overblending the skin tones, resulting in a flat and lifeless appearance.
  • →Failing to capture the correct proportions and likeness of the subject.
  • →Using too much of a single color, leading to a monotonous and uninteresting painting.
  • →Ignoring the subtle variations in value and color, resulting in a lack of depth and realism.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Using high-quality oil paints will result in richer and more vibrant colors. Experiment with different brush sizes and techniques to achieve the desired texture and effect.

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