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home·artworks·Self-Portrait in Blue Shirt, Seated, Drawing
Self-Portrait in Blue Shirt, Seated, Drawing by Avigdor Arikha

plate no. 2625

Self-Portrait in Blue Shirt, Seated, Drawing

Avigdor Arikha, 1986

oilContemporary Realismself-portraitportraitfigureself-portraitdrawingtableshirt
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in creating a sense of depth and form through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, table, and background.

  2. step 02

    Establish the overall value structure with a thin wash of neutral gray.

  3. step 03

    Begin layering in the darker values of the shirt and hair, paying attention to the direction of light.

  4. step 04

    Develop the skin tones by layering thin washes of color, focusing on the subtle transitions between light and shadow.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, using a small brush.

  6. step 06

    Refine the details of the hands and the drawing on the table.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ultramarine blue · burnt sienna · titanium white

secondary · yellow ochre · raw umber

Skin tones are achieved by mixing burnt sienna, yellow ochre, and white, with small amounts of blue or umber to adjust the temperature. The blue shirt is a mix of ultramarine blue and a touch of burnt umber.

techniques

  • ·layering
  • ·glazing
  • ·color mixing
  • ·portraiture
  • ·rendering form

common pitfalls

  • →Overworking the painting and losing the freshness of the initial washes.
  • →Getting the proportions of the face wrong.
  • →Using colors that are too saturated.
  • →Ignoring the subtle value changes that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended.

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oil painting for beginners →how to learn by studying the masters →
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