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home·artworks·Self-portrait (detail)
Self-portrait (detail) by Filippino Lippi

plate no. 8379

Self-portrait (detail)

Filippino Lippi

oilEarly Renaissanceself-portraitportraitfiguremanheadwearhairclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle variations in skin tone and using line work to define form. It also provides practice in creating a sense of depth through layering and glazing.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure's basic proportions and pose.

  2. step 02

    Establish the background tone with a thin wash of neutral color.

  3. step 03

    Block in the main areas of light and shadow on the face and clothing using a limited palette.

  4. step 04

    Begin layering and blending colors to refine the skin tones, paying attention to subtle shifts in value and hue.

  5. step 05

    Define the features of the face, such as the eyes, nose, and mouth, with careful attention to detail.

  6. step 06

    Add details to the hair and clothing, using line work to create texture and form.

  7. step 07

    Glaze thin layers of color over the painting to unify the tones and create a sense of depth.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · yellow ochre · ivory black

Mix raw umber and white for the base skin tone. Use burnt sienna and yellow ochre for warmer tones. Add a touch of black to darken shadows.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·hatching
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Using too much paint and losing the transparency of the glazes.
  • →Failing to accurately capture the proportions of the face.
  • →Ignoring the subtle shifts in value and hue.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified underpainting.

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