apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Self-Portrait Dedicated to Leon Trotsky (Between the Curtains)
Self-Portrait Dedicated to Leon Trotsky (Between the Curtains) by Frida Kahlo

plate no. 8286

Self-Portrait Dedicated to Leon Trotsky (Between the Curtains)

Frida Kahlo, 1937

oil, masoniteNaïve Art (Primitivism)self-portraitfigureportraitcurtainsdressshawlflowers
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and rendering fabric textures. It also provides practice in creating a balanced composition with a clear focal point.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the figure's proportions and placement within the curtains.

  2. step 02

    Block in the background colors, establishing the light and shadow areas.

  3. step 03

    Begin painting the figure's skin tones, mixing colors to match the subtle variations in light and shadow.

  4. step 04

    Paint the dress and shawl, paying attention to the folds and textures.

  5. step 05

    Add the details of the flowers, jewelry, and the letter.

  6. step 06

    Paint the curtains, focusing on the highlights and shadows to create a sense of depth.

  7. step 07

    Refine the details and adjust the colors as needed.

  8. step 08

    Add final highlights and shadows to enhance the overall realism.

color palette

primary · yellow ochre · burnt sienna · titanium white

secondary · cadmium red · ultramarine blue · raw umber

Mix yellow ochre, burnt sienna, and white to create the skin tones. Add small amounts of red or blue to adjust the warmth or coolness. Use raw umber to create shadows and depth.

techniques

  • ·color mixing
  • ·portraiture
  • ·fabric rendering
  • ·glazing
  • ·scumbling

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Using colors that are too saturated or unnatural.
  • →Failing to create a sense of depth and dimension.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (yellow ochre, burnt sienna, titanium white, cadmium red, ultramarine blue, raw umber)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Shepherd and his Lover

Shepherd and his Lover

Bertalan Por

The sketch to the movie "Colour of Pomegranate". "Muse"

The sketch to the movie "Colour of Pomegranate". "Muse"

Sergei Parajanov

Surprised!

Surprised!

Henri Rousseau

Holy Mountain I

Holy Mountain I

Horace Pippin

Gibraltar

Gibraltar

Alfred Wallis

Willage. Horse Taming

Willage. Horse Taming

Victor Palmov

Old Corn Mill, Keighley

Old Corn Mill, Keighley

John Bradley

Winter Still Life with Candle

Winter Still Life with Candle

Mary Fedden