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Self-Portrait by Tivadar Kosztka Csontvary

plate no. 5351

Self-Portrait

Tivadar Kosztka Csontvary, 1900

oil, canvasPost-Impressionismself-portraitself-portraitfigurewindowinteriorbuildingsky
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating depth through atmospheric perspective in the window view. It also provides practice in capturing light and shadow within an interior setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, paying attention to the proportions of the figure and the placement of the window.

  2. step 02

    Block in the large areas of color, starting with the background walls and the sky seen through the window.

  3. step 03

    Establish the basic skin tones of the face and hands, using a limited palette of earth tones and white.

  4. step 04

    Begin to define the features of the face, paying close attention to the light and shadow.

  5. step 05

    Add details to the clothing and the palette, using thicker paint and more visible brushstrokes.

  6. step 06

    Refine the window view, adding details to the building and the clouds.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Review and adjust the painting, making sure that the proportions and colors are accurate.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · viridian

Mix skin tones by blending burnt umber, raw sienna, cadmium red, and titanium white. Use ultramarine blue and white for the sky. Create muted greens by mixing yellow ochre and viridian.

techniques

  • ·portraiture
  • ·scumbling
  • ·dry brush
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Getting the proportions of the face wrong.
  • →Failing to capture the light and shadow accurately.
  • →Ignoring the details in the window view.
  • →Using too much detail too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·round brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-textured canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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