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home·artworks·Self-Portrait
Self-Portrait by Suzanne Valadon

plate no. 5781

Self-Portrait

Suzanne Valadon, 1883

oilPost-Impressionismself-portraitportraitfigurewomanself-portraithairface
some experience helpful

Recreating this painting will help students practice portrait proportions, color mixing for skin tones, and achieving soft transitions between values. It's a good exercise in capturing a likeness and creating a sense of depth with subtle shading.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and facial features.

  2. step 02

    Establish the background color with a thin wash of paint.

  3. step 03

    Block in the main areas of color for the skin, hair, and clothing.

  4. step 04

    Begin layering and blending colors to create smooth transitions and subtle variations in skin tone.

  5. step 05

    Add details to the eyes, nose, and mouth, paying attention to their shape and placement.

  6. step 06

    Refine the hair with individual strokes, capturing its texture and direction.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and realism.

  8. step 08

    Add final highlights and shadows to enhance the form and create a focal point.

color palette

primary · yellow ochre · ultramarine blue · burnt sienna

secondary · titanium white · raw umber · cadmium red light

Mix yellow ochre, burnt sienna, and white for the base skin tone. Add small amounts of red for warmth and blue for shadows. Use ultramarine blue and raw umber for the dark blue of the shirt.

techniques

  • ·portrait sketching
  • ·color mixing for skin tones
  • ·soft blending
  • ·layering
  • ·value control

common pitfalls

  • →Getting the proportions wrong
  • →Overworking the blending and losing definition
  • →Using colors that are too saturated
  • →Ignoring the subtle value changes in the skin

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes sizes 2, 4, 6
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

Use a medium-sized canvas, around 12x16 inches. Pre-tinting the canvas with a thin wash of burnt umber can help create a warm undertone.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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