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Self-Portrait by Roderic O'Conor

plate no. 2923

Self-Portrait

Roderic O'Conor, 1925

oilPost-Impressionismself-portraitportraitfiguremanfacehairclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and using expressive brushstrokes to define form. It also provides practice in mixing subtle skin tones and creating depth with value changes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic proportions and placement of the head, shoulders, and facial features.

  2. step 02

    Block in the large areas of color for the background, clothing, and skin, focusing on value rather than precise color.

  3. step 03

    Begin refining the facial features, paying close attention to the shapes of the eyes, nose, and mouth.

  4. step 04

    Add highlights and shadows to create depth and dimension in the face and clothing.

  5. step 05

    Develop the hair with loose, expressive brushstrokes, using a variety of values to create texture.

  6. step 06

    Refine the background, adding subtle variations in color and value to create depth.

  7. step 07

    Add final details and adjustments to the overall composition, ensuring that the focal point is the face.

  8. step 08

    Allow the painting to dry and then add a varnish to protect the surface and enhance the colors.

color palette

primary · ivory black · titanium white · cadmium red light · yellow ochre

secondary · ultramarine blue · burnt umber · sap green

Mix skin tones by combining white, yellow ochre, cadmium red, and a touch of blue or green to neutralize. Use burnt umber and black to create the dark background and shadows.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·expressive brushwork
  • ·value study

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details too early in the process.
  • →Failing to accurately capture the proportions and likeness of the subject.
  • →Not creating enough contrast between light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·mahl stick

Use a medium-tooth canvas for best results. Consider using a toned canvas to help establish the overall value range.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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