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home·artworks·Self-Portrait
Self-Portrait by Periklis Vyzantios

plate no. 6329

Self-Portrait

Periklis Vyzantios, 1926

oilPost-Impressionismself-portraitfigureportraitself-portraitmanclothingartist
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form through subtle value changes. It also provides practice in depicting fabric and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure, paying attention to proportions and pose.

  2. step 02

    Block in the main areas of color: skin tones, shirt, pants, background, and canvas.

  3. step 03

    Begin refining the skin tones, focusing on the subtle shifts in value to create form.

  4. step 04

    Develop the details of the shirt, paying attention to the folds and highlights.

  5. step 05

    Work on the pants, capturing the texture and folds of the fabric.

  6. step 06

    Refine the background, ensuring it recedes and doesn't compete with the figure.

  7. step 07

    Add details to the face, including the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and realism.

color palette

primary · titanium white · ivory black · raw umber · yellow ochre

secondary · burnt sienna · ultramarine blue

Skin tones are achieved by mixing white, yellow ochre, raw umber, and a touch of burnt sienna. The shirt is primarily white with subtle additions of raw umber and ivory black to create shadows and highlights. The background is a mix of ivory black and ultramarine blue.

techniques

  • ·portraiture
  • ·value studies
  • ·blending
  • ·layering
  • ·scumbling

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Over-blending the skin tones, resulting in a flat appearance.
  • →Ignoring the subtle value changes in the shirt, leading to a lack of depth.
  • →Making the background too bright or distracting.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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