apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Self Portrait
Self Portrait by Niko Pirosmani

plate no. 9954

Self Portrait

Niko Pirosmani, 1900

oil, oilclothNaïve Art (Primitivism)portraitportraitmanbeardhatclothingfigure
some experience helpful

Recreating this painting will help students practice portraiture basics, including proportions and capturing a likeness, as well as working with a limited color palette and visible brushstrokes.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, hat, and shoulders, paying attention to proportions.

  2. step 02

    Block in the background with a thin layer of light blue, leaving some areas unpainted for texture.

  3. step 03

    Paint the hat and suit with black, using visible brushstrokes to create texture.

  4. step 04

    Add highlights and shadows to the hat and suit with white and darker shades of black.

  5. step 05

    Paint the face with a light skin tone, adding shadows and highlights to define the features.

  6. step 06

    Add the beard and mustache with careful brushstrokes, using a mix of black and white.

  7. step 07

    Paint the shirt and buttons, adding details to the collar and lapels.

  8. step 08

    Add any final details and touch-ups as needed.

color palette

primary · black · white · light blue

secondary · orange-red

Mix different shades of gray by combining black and white. Create the skin tone by mixing white with a touch of orange-red and brown.

techniques

  • ·dry brush texture
  • ·blocking in
  • ·scumbling
  • ·limited palette
  • ·portrait proportions

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Over-blending the colors and losing the visible brushstrokes.
  • →Using too much detail and losing the naive style.
  • →Not capturing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic or oil paints (black, white, light blue, orange-red)
  • ·Assorted brushes (flat and round)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil or acrylic medium
  • ·Rags
  • ·Easel

optional

  • ·Retarder medium
  • ·Varnish

Use a canvas with a slightly rough texture to enhance the visible brushstrokes. Acrylics will dry faster, while oils will allow for more blending time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Shepherd and his Lover

Shepherd and his Lover

Bertalan Por

The sketch to the movie "Colour of Pomegranate". "Muse"

The sketch to the movie "Colour of Pomegranate". "Muse"

Sergei Parajanov

Surprised!

Surprised!

Henri Rousseau

Holy Mountain I

Holy Mountain I

Horace Pippin

Gibraltar

Gibraltar

Alfred Wallis

Willage. Horse Taming

Willage. Horse Taming

Victor Palmov

Old Corn Mill, Keighley

Old Corn Mill, Keighley

John Bradley

Winter Still Life with Candle

Winter Still Life with Candle

Mary Fedden