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home·artworks·Self-Portrait
Self-Portrait by Marie Duhem

plate no. 9020

Self-Portrait

Marie Duhem, 1910

oilPost-Impressionismself-portraitportraitfigurehatclothingwomanself-portrait
some experience helpful

Recreating this painting will help students develop skills in layering paint, capturing form with loose brushstrokes, and mixing subtle color variations to create depth and dimension. It's a good exercise in capturing a likeness without precise detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure, hat, and background.

  2. step 02

    Block in the main areas of color: background, skin tones, clothing, and hat.

  3. step 03

    Start layering paint, focusing on capturing the light and shadow patterns.

  4. step 04

    Use short, directional brushstrokes to define the form of the face and clothing.

  5. step 05

    Mix subtle color variations to create depth and dimension in the skin tones and background.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth, using small, precise brushstrokes.

  7. step 07

    Refine the edges of the figure and hat to create a sense of depth.

  8. step 08

    Add final highlights and shadows to complete the painting.

color palette

primary · titanium white · ivory black · raw umber · burnt sienna

secondary · cadmium red light · ultramarine blue · yellow ochre

Mix skin tones using white, raw umber, and a touch of red. Achieve the background grays by mixing black, white, and a touch of blue or umber. The white shirt is achieved by mixing white with small amounts of blue and yellow.

techniques

  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·directional brushstrokes
  • ·color layering

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much detail and creating a stiff, unnatural effect.
  • →Failing to capture the subtle color variations in the skin tones.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use good quality oil paints for best results. A medium-tooth canvas will work well for this style of painting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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