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home·artworks·Self-Portrait
Self-Portrait by Fairfield Porter

plate no. 5745

Self-Portrait

Fairfield Porter, 1972

oilContemporary Realismself-portraitportraitfigureself-portraitmanhairclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and capturing likeness through simplified forms. It also provides practice in visible brushwork and layering.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and hair.

  2. step 02

    Block in the background with a thin, even layer of the light pinkish-white color.

  3. step 03

    Establish the main shadow shapes on the face and neck using a mix of browns, blues, and reds.

  4. step 04

    Begin layering in the mid-tones and highlights, paying attention to the subtle shifts in color temperature.

  5. step 05

    Define the features (eyes, nose, mouth) with careful observation and precise brushstrokes.

  6. step 06

    Paint the hair using bold, directional strokes to suggest form and texture.

  7. step 07

    Add details to the clothing, focusing on the folds and shadows.

  8. step 08

    Refine the edges and details throughout the painting to achieve a sense of realism.

color palette

primary · titanium white · burnt umber · ultramarine blue · cadmium red

secondary · yellow ochre · ivory black

Skin tones are achieved by mixing white, red, yellow ochre, and small amounts of blue and umber. Vary the proportions to create different values and temperatures. The hair is a mix of umber, black, and blue. The shirt is blue with touches of white and umber.

techniques

  • ·Blocking in
  • ·Layering
  • ·Visible brushstrokes
  • ·Color mixing for skin tones
  • ·Edge control

common pitfalls

  • →Overworking the details too early
  • →Using colors straight from the tube without mixing
  • →Ignoring the subtle shifts in color temperature
  • →Getting the proportions wrong in the initial sketch

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Oil paints
  • ·Palette
  • ·Palette knife
  • ·Assorted brushes (round and flat)
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Medium (e.g., Liquin)
  • ·Easel
  • ·Reference photo

Use good quality oil paints for best results. A medium-textured canvas will work well for this style.

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