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home·artworks·Self-Portrait
Self-Portrait by Edouard Vuillard

plate no. 0382

Self-Portrait

Edouard Vuillard, 1888

oil, canvasPost-Impressionismself-portraitportraitself-portraitmanfaceheadbeard
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and form with loose brushstrokes and a limited color palette. It also provides practice in understanding and applying subtle value changes to create depth and dimension.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head and facial features using a soft pencil or charcoal.

  2. step 02

    Block in the main areas of color with thin washes, focusing on the overall value structure.

  3. step 03

    Begin building up the darker values, defining the shadows and contours of the face.

  4. step 04

    Add highlights and mid-tones, blending the colors softly to create smooth transitions.

  5. step 05

    Refine the details of the eyes, nose, and mouth, paying attention to their shape and placement.

  6. step 06

    Develop the texture of the hair and beard with short, broken brushstrokes.

  7. step 07

    Adjust the background color and value to complement the portrait.

  8. step 08

    Add final touches and highlights to enhance the overall effect.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · yellow ochre · alizarin crimson

Mix various shades of brown and beige by combining raw umber, burnt sienna, and titanium white. Add small amounts of yellow ochre or alizarin crimson to warm up the skin tones.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·blending

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting the proportions of the face wrong.
  • →Using colors that are too bright or saturated.
  • →Failing to capture the subtle value changes that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

A canvas with a slightly textured surface will help to create a more painterly effect.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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