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home·artworks·Self-Portrait
Self-Portrait by Bertalan Por

plate no. 3484

Self-Portrait

Bertalan Por, 1906

oilPost-Impressionismself-portraitportraitmanfaceclothingself-portrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing, and expressive brushwork. It will also teach them how to simplify complex forms into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and facial features.

  2. step 02

    Establish the background with broad, loose strokes of muted browns and grays.

  3. step 03

    Block in the main areas of light and shadow on the face using a limited palette of earth tones and white.

  4. step 04

    Add layers of color to build up the form and create subtle variations in skin tone.

  5. step 05

    Define the features (eyes, nose, mouth) with bolder strokes and darker values.

  6. step 06

    Paint the clothing with simple shapes and colors, focusing on the overall form rather than intricate details.

  7. step 07

    Add highlights and details to create depth and dimension.

  8. step 08

    Refine the brushwork and adjust the colors as needed to achieve the desired effect.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · ultramarine blue · cadmium red light

Mix browns and grays by combining burnt umber, ultramarine blue, and white. Adjust the warmth or coolness by adding small amounts of yellow ochre or cadmium red light. Skin tones can be achieved by mixing yellow ochre, cadmium red light, and white, with small amounts of burnt umber for shadows.

techniques

  • ·broken color
  • ·alla prima
  • ·expressive brushwork
  • ·color temperature

common pitfalls

  • →Overworking the details and losing the spontaneity of the brushwork.
  • →Getting bogged down in precise rendering and neglecting the overall impression.
  • →Using too many colors and creating a muddy or chaotic effect.
  • →Failing to establish a strong value structure and ending up with a flat or lifeless painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

A medium-textured canvas will help to create a more painterly effect. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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